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The Teacher in the Machine: A Human History of Education Technology (Princeton University Press) will be published this May. I was lucky enough to receive an advance copy. It is too early to interview the author, the University of Virginia’s Anne Trumbore, about the book, as you will not be able to get your hands on it for a few months. I can’t help myself, though.

Like Anne, I am also a practitioner-scholar, working in and writing about the intersection of technology, learning and higher education change. While The Teacher and the Machine covers much of the same ground as my first co-authored book, Learning Innovation and the Future of Higher Education (JHUP, 2020), I learned much of what I didn’t know from reading Anne’s book.

As the publication of The Teacher in the Machine approaches, I’ll share a full (highly positive) review. Until then, to help build anticipation about the book’s launch and also get to know its author better, I thought the best place to start is a Q&A.

Anne Trumbore, a light-skinned woman with shoulder-length hair wearing a flowered black top.

Q: Tell us about your current role at Darden (UVA) and the education and career path that you have followed.

A: I’m currently the chief digital learning officer, where I lead a team that designs, develops and delivers education that enables career mobility for learners at all ages and stages. I arrived at this stage through a pretty circuitous path that included time as a journalist and obituary writer, a copywriter for motion picture advertising, a writing teacher at SFSU and Stanford, and then a lateral hop into ed tech. My education path was somewhat more straightforward: straight to undergrad from high school. But my graduate degrees were driven by career aspirations and occurred decades apart. (I resemble a lot of the learners we are helping now in that regard.)

Oddly enough, my “unmarketable” undergrad degree in semiotics and my graduate work in writing and teaching writing got me hired full-time at Stanford, working on an adaptive grammar program that provided asynchronous personalized instruction and creating curriculum for and teaching at Stanford Online High School. That led to a role on the early team at Coursera, with a focus on working with university professors using (and developing) online peer review, which morphed into a role on the founding team at NovoEd, developing designs for social and project-based learning at scale. Then I pivoted back to higher ed with a role at Wharton, where I established Wharton Online.

The questions I was trying to answer there, most of which revolved around maximizing the effectiveness of, and revenue for, online education in business topics, led me to UVA. Its Darden School of Business had just received a transformational gift to establish the Sands Institute for Lifelong Learning, which is where I saw the puck going at the intersection of higher education and technology. I earned an education doctorate at Penn GSE during my time at Wharton because the questions I began asking about what we were doing and why were not easily answered within the confines of the business school.

Q: In The Teacher and the Machine, you tell the story of the birth and evolution of massive open online courses within the context of the history of educational technology. What are the lessons from the history of ed tech that we in higher education should absorb as we make decisions about the future of online education and AI for teaching and learning?

A: The main takeaway is that innovation in ed tech is particularly reliant upon ignorance of its history for a couple of main reasons: Innovation drives adoption (no one wants to invest in an “old” idea), and the idea of using technology to make education both more efficient and democratic consolidates power in the hands of the disrupters, who are almost always businessmen and scientists educated at the most elite universities in the world.

I believe that once you understand the history of ed tech and its intertwined beginnings with artificial intelligence, universities can be more clear-eyed about their business partnerships with ed-tech companies and their purchasing decisions, which are usually not driven by evidence-backed research. We also have the opportunity to be more thoughtful about our motives in distributing education “to the masses” and ask ourselves who this strategy benefits and why it is attractive to venture capital.

Finally—and this is a point you and a few others have made extremely well—it’s incumbent upon higher ed institutions to be informed about the innovation narrative that gets circulated, which enriches the same set of people and institutions over and over again. I have to believe that if we have a greater understanding of the history and the motives of the major players in ed tech, we can also ask better questions of our ed-tech providers and partners so that we can create educational experiences that provide more returns to learners than ed-tech investors.

Q: You are not only a student of higher education and digital learning, you are also a practitioner. How did your role throughout your career as a participant in the creation and development of MOOCs and other online learning initiatives impact how you write about that history in The Teacher in the Machine?

A: The closest metaphor I can think of is that it felt like putting together a 2,000-piece puzzle of a photograph I was in: I knew what it would look like, but I had to break down and examine all the pieces and then reassemble. The questions I asked of the events were less about what happened and more about why did it happen that particular way? What were the conditions that produced our actions? Living the history also provided opportunities to fill in the gaps that some more traditional records leave out.

I’m thinking especially of the daily minor decisions that were made under pressure that drove the history in unplanned directions, as well as the personalities of the main players. Experiencing these elements of the story and being able to report firsthand is one of the benefits to being in the circus ring instead of in the seats. Another is that you can directly see the audience, which provides a different lens than a more traditional history. Hopefully, the narrative benefited from the inside-out point of view.

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