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Plain Talk About Plain Speech

I can’t remember when I snapped. Was it the faculty seminar in which the instructor used the phrase “the objectivity, for it is not yet a subjectivity” to refer to a baby? Maybe it was the conference in which the presenter spoke of the need to “historicize” racism, rambled through 40 minutes of impenetrable jargon to set up “new taxonomies” to “code” newspapers and reached the less-than-startling conclusion that five papers from the 1820s “situated African-Americans within pejorative tropes.” Could it have been the time I evaluated a Fulbright applicant who filled an entire page with familiar words, yet I couldn’t comprehend a single thing she was trying to tell me? Perhaps it was when I edited a piece from a Marxist scholar who wouldn’t know a proletarian if one bit him in the keister. Or maybe it just evolved from day-to-day dealings with undergraduates hungry for basic knowledge, hold the purple prose.

At some point, I lost it. I began ranting in the faculty lounge. I hurled the Journal of American History/Mystery across the library, muttered in the shower, and sent befuddled e-mails to colleagues. I’m fine now. Once I unburdened I found I was not alone; lots of fellow academics agree that their colleagues couldn’t write intelligible explanations of how to draw water from the tap. From this was born the Society for Intellectual Clarity (SIC). We intend to launch a new journal, SIC PUPPY (Professors United in Plain Prose Yearnings) as soon as we find someone whose writing is convoluted enough to draft our grant application. (We’re told we should seek recruits among National Science Foundation recipients.)

Until the seed money comes in our journal is purely conceptual, but upon start-up SIC PUPPY will enact the following guidelines for submissions.

  • Titles: Brevity is a virtue. Titles with colons are discouraged. Any title with a colon, semi-colon, and a comma will be rejected on principle. We accept no responsibility for doodles and exclamatory obscenities scrawled on the returned text, even if you do enclose a self-addressed stamped envelope.
  • Style: If any manuscript causes one of our editors to respond to a late-night TV ad promising to train applicants for “an exciting career in long-distance trucking,” the author of said manuscript will be deemed a boring twit and his or her work will be returned. See above for doodle disclaimers.
  • Audience: Hey, would it kill you to write something an undergrad might actually read? If so, please apply for permanent residency in Bora Bora.
  • Terminology: If any author desires to invent a new term to describe any part of the research, refer to Greta Garbo’s advice on desire in the film Ninotchka: “Suppress it.” There are 171,476 active words in the English language and the authors of SIC PUPPY are confident that at least one of them would be adequate.
  • Nouns and Verbs: Among those 171, 476 words are some that are designated as nouns and others clearly meant as verbs. Do not confuse the two. SIC PUPPY refuses to conference with anyone about this. We have prioritized our objectives.
  • Thesis: We insist that you have one. If you don’t have anything to say, kindly refrain from demonstrating so. We do not care what Bakhtin, Derrida, Jameson, Marx, Freud, or Foucault have to say about your subject or any other. We’ve read them; we know what they think.
  • Academic Catfights: The only person who gives a squanker’s farley about literature reviews and historiography is your thesis adviser. We request that you get on with the article and reduce arcane debates to footnotes. The latter should be typed in three-point Windings font.
  • Editing for Smugness: If your article was originally a conference paper and, if at any time, you looked up from your text and smiled at your own cleverness, please delete this section and enroll in a remedial humility course.
  • No Silly Theories:SIC PUPPY does not care if a particular theory is in vogue; we will not consider silly ones. For example, bodies are bodies, not “texts” and dogs are dogs; they do not “signify” their “dogginess” through “signifier” barks. While we’re on the subject, we at SIC PUPPY have combed scientific journals to confirm that time machines do not exist. We thus insist that human beings can be postpartum or postmortem, but not postmodern.
  • Privileging Meaning: We believe that sometimes you’ve got to call it like it is, even if that entails using a label or category. We know that some of you think we shouldn’t privilege any meaning over another. To this we say, “We’re the editors, not you, and we intend to use our privileged positions of power to label those who reject categories ‘ninnies.’ So there!”
  • Citations: We insist that you use the Chicago Manual of Style for all citations. Not because we love it, but because it annoys us no end to see parentheses in the middle of text we’re trying to read. Why we read a theory on ellipses (Bakhtin, 1934) just last night describing how English authors (Wilde, 1905; Shaw, 1924) sought to embed Chartist messages (S. Webb, 1891) into....
  • Complaints: In the course of preparing a journal it is inevitable that typos will appear, that medieval French words will go to print with an accent aigu where an accent grave should have been, and that edits will be made to what you were sure was perfect prose (but wasn’t). Do not call the editors to complain that we’ve humiliated you before your peers and have ruined your academic career. SIC PUPPY will not waste time telling you to get a life; we will direct your call to the following pre-recorded message: “Thhhhhwwwwwwwpt!”
  • Satire and Irony: To paraphrase the folksinger Charlie King, serious people are ruining our world. If you do not understand satire, or confuse irony with cynicism, go away. Try therapy ... gin ... a warm bath ... anything! Except teaching or writing.

Robert E. Weir is a former senior Fulbright scholar who teaches at Smith College and the University of Massachusetts.

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Comments

Plain speech

I laughed until I cried. As a teacher I can unite with what you say; and, as a Quaker, my only comment to your article is “THAT Friend speaks my mind. Thanks for the time you have taken to do this.

Thom Jones, at 4:45 pm EDT on July 30, 2008

Will your new journal include a pie chart with each article to show which of the co-authors did the real work, and the real relationships between the co-authors?

LArry, at 10:50 am EST on March 3, 2006

Thank you! Thank you!! Thank you!!!

Thank you, Rob.Please consider my immediate and unpretentious application for your journal.

I now know the reason that the myriad of FAS Faculty around the (so-called) higher education world are instituting fallacious votes of “No Confidence” in their leaders. They can’t stand plain talk!

Edward Winslow, A tired “retired” business professor, at 10:51 am EST on March 3, 2006

May I join the editorial board

Thank you, thank you. Perhaps SIC PUPPY can help us housetrain the current crop of curs aspiring to academia.

May I join the editorial board?

My guiding principles are eloquently stated in George Orwell’s classic essay “Politics and the English Language.” I try to read these words of wisdom at least once a semester.http://www.george-orwell.org/Politics_and_the_English_Language/0.html

Mary McKinney, Ph.D., Clinical Psychologist & Academic Coach at http://www.SuccessfulAcademic.com, at 10:51 am EST on March 3, 2006

sympathetic, but only to a point

I don’t know Robert. At first glance I am tempted to join you. I mean, making fun of obtuse, jargon-filled academic prose is just fun, and has become a popular sport and a quick way to amass large crowds of anti-intellectuals with burning torches, and that’s where it gets scary for me.

I also can’t help but notice that in your first paragraph, when you are giving examples of the absurdity of academic prose, you mention African-Americans, racism, Marxism, and a female scholar. Hmm. . . . . could it be that your SIC PUPPY group is a little nostalgic for the days of good, old-fashioned white man’s history without the messy complications of a postmodern, post-colonial revisitation of said history? I wonder.

The truth is, I don’t know anything about your work, except that I think you wrote a book about knights and labor organization, which I haven’t read. You might be a top-notch scholar who keeps up with the latest ideas in the field. But regardless, your argument here is fun, and we all can laugh with you, but it invites more of the anti-intellectualism that continues to erode the structure, the mission, and the environment of the academy, and that gives me cause for concern. Sometimes ideas are complex, and the prose that articulates them presents a struggle for the reader. Let’s work on producing the readers who are ready to meet that challenge.

Best wishes, Violet

Violet, Professor at Mid-Western Private, at 10:55 am EST on March 3, 2006

Bravo!

Clearly the author has architected a precise meta-textual moment, resulting in a new ontological lens through which a textual framework can be viewed in a historico-materiality metacontext.

RR, at 10:55 am EST on March 3, 2006

short parenthetical or long footnote?

Mostly I agree, but your comment on citations surprise me. The reason that social science style guides (mostly notably that of the American Psychological Association) uses in-text parenthetical citations instead of footnotes is precisely to stop common humanities practice (encouraged by the Chicago guide) of writing pratically an entire second article in the footnotes. While you may hate sentences being interrupted with citations, I hate looking at a page that has four lines of text at the top and 40 lines of small-font footnotes below. Generally speaking, if it’s worth saying, say it in the text. If it’s not worth saying in the text, say it to your colleagues over drinks at a conference and don’t bother the rest of us.

non-Chicago in Toronto, at 10:55 am EST on March 3, 2006

Amen.

Jane Lasarenko, at 10:55 am EST on March 3, 2006

Remarkable, I think, that the only place Marx (Freud, too) has any traction these days is in literary journals and faculty cocktail parties.

Bill Dockery, University of Tennessee, at 11:00 am EST on March 3, 2006

Well done

Splendid. Marvelous. Put me down for a subscription.

May I suggest a few additions to your guidelines?

1) A title containing “toward” will result in the article’s rejection and the author’s banishment.

2) An author cannot use any form of the verb “be” more than six times in every 1,000 words.

3) You can use the first and second persons. Indeed, you should.

Thank you.

Art Scheck, Plain old English teacher, at 11:15 am EST on March 3, 2006

Violet, I think you may be confusing “intellectual” with “incomprehensible.” If “intellectual” is a prose style that requires sociopolitical jargon, then I guess I’m anti-intellectual.

Bill Dockery, University of Tennessee, at 12:40 pm EST on March 3, 2006

Loved it / hated it

As the author of more than one satire of inflated jargon, I’m with you, Rob — though like Violet and a couple of others I’m also a little put out by some of your choices about targets. Obtuse prose is not the exclusive domain of postmodernists and ecofeminists. No doubt any emerging vocabulary has its reactionaries. Even in Statistics.

That said, there’s a hell of a lot of writing out there that could use a strong editorial pen — oppressive as it might be — to unpack the meanings and guide the reader more succinctly. This comment, for example....

Sign me up, but only to the online version!

Joe Clark, Semantic Gadfly, at 12:45 pm EST on March 3, 2006

Thank you, sir!!! In graduate school (in the 80s)"peacocking” by way of flaunting , postmodernist, post-colonial (pomo-poco in the business)jargon was regarded as being cool and “down with theory". Now, after teaching undergraduate classes in African literature, culture, and spirituality for quite a while, and across colleges in the USA, I have gained enough wisdom to respect plain-speaking in the classroom.

The issue of language also needs to be part of an ongoing discussion about the relevance of jargon in scholarly publications; especially in the humanities. For example, in literary studies journals, one is almost guaranteed getting published if one uses the overwrought codes of critical theory. Some of us have a hard time getting published because we do not “quack the quack". The use of jargon seems to have been reified (is this a jargon!!!?) as the admission ticket to the “pantheon” of published sscholarship.

My two cents!!!

BioDun J. Ogundayo, at 1:20 pm EST on March 3, 2006

Plain Talk

When you combed the literature to determine that time machines do not exist what type of comb did you use and where did you part the hair? Better to part hairs than split them.

Jim Dwyer, Rev. Junkyard Moondog at Chico State, at 1:30 pm EST on March 3, 2006

Giggle. Grin. Yawn.

I’ve been hearing this since I was an undergrad. “That’s not how it was when I was a kid.” Twits are twits. It doesn’t matter if they’re mo or pomo. If we want to get back to basics, in language or ideas, why is it always back to the zone of comfort where the ranter wants to hide. Sure, let’s go back, but back to victorian academe. Upset about usage? Why go back to Fowlers. It has all been downhill since 1066. Anglo-Saxon all the way. And Lingua Franca? Make mine French.

The giggle becomes a yawn when the foundation of the argument is located in wanting everything in one’s own comfort zone.

Jason, newbie prof at RyeHigh, at 1:50 pm EST on March 3, 2006

Some light reading

Ah—the weekend’s almost here, so I think I’ll go home to settle on a cozy couch for a bit of light reading.

The first piece that piques my interest is this delightful read in the July 2005 issue of _Accounting Review_: “The Effect of Quantitative Materiality Approach on Auditors’ Adjustment Decisions.” The first few sentences of its abstracts are what have reeled me in:"Two alternative approaches are used in audit practice to provide quantitative materiality assessments about proposed audit adjustments. The cumulative approach compares to net income the total amount of misstatement existing at the end of the current period, while the current-period approach compares to net income the amount of misstatement added in the current period. Depending on the relation between total misstatement and current-period misstatement, either the cumulative approach or the current-period approach can calculate higher quantitative materiality.”

A glass of white wine, some biscotti, and _Accounting Review_! Heavenly relaxation!

CJO, at 1:55 pm EST on March 3, 2006

website?

Is there a website for the Society? Also, is there a list server I can sign up for?

Thanks,Ric Jensen, PHD

Rick Jensen, Instructor, Journalism Dept. at Northwestern State University, at 2:50 pm EST on March 3, 2006

Plain Speech and all that...

One need not be a reactionary with suspicious (old fashioned) views about race, gender or socialism, to be concerned about the state of academic language usage today. To be honest, there are some recent publications that I have read and reread and cannot understand. You might think that after nearly four decades of research and teaching, that this would not be the case. However, I have come to the conclusion that the language usage of which the author complains is a phenomenon of what is best understood as an art form. That is the rhetorical flourishes are accepted as part of the ‘art’ of scholarship—new PhDs are encouraged (or occasionally forced) to utilize the new language forms as evidence of having reached a certain level of intellectual or aesthetic development. I seem to recall that in the 1960s when I was a graduate student, some of my fellow students were constantly invoking terms such as ‘reification’ or ‘emic vs etic’ while discoursing. In a sense, graduate study has always meant trying to play ‘catch up’ with those whose quivers appear to have newer, better arrows.

Here is the problem, as I see it. The indictment of modern academic usage in the article is clever and amusing, but it does not address what is a far more serious matter. If scholars are capable of writing only within this new discourse, why, and how, shall we communicate with a broader public? I am not worried about the pattern of ‘insider’ knowledge and witty remarks that are witty only to those ‘in the know.’ I am wondering whether we are considering the impact of this style upon the place of learning and intellectual exchange in our society. Have the new language usages enabled us to render complexities more precisely, or are they unsatisfactory means to expressing our inability to reach and report on any consensus whatsoever?

in perplexity,

Frank ConlonUniversity of Washington

Frank F. Conlon, Professor Emeritus at University of Washington, at 4:15 pm EST on March 3, 2006

Yawn is right. I think that with this article the parodies of academic jargon have officially become as stale and formulaic as the jargon itself. I mean, at least Fred Crews had the Pooh thing — at least Dennis Dutton hosted a freakin’ contest. SIC PUPPY? Is that really the best you can muster? And, yes, guys, I understand that this is all “Satire and Irony,” that I shouldn’t take it seriously... I got that little in-joke, but just barely.

Archie Bunker, at 5:15 pm EST on March 3, 2006

Satire is not critique

The problem with satire is that it is not built on explicit claims, but merely implications. Thus, it is not academic, nor clear. Indeed, it is important not to confuse satire with cynicism. Equally so that one does not confuse entertainment with critique. This is satire, not a critique. It has no substance. Laugh all you want, these are cheap laughs. But don’t be misled into thinking an argument has been made. All we have learned from this article is that some one is cranky enough about academic jargon to spend several hundred minutes composing it. No analysis, no insight, just pretty good witticisms.

Myself, when I want to read good satire, I read a writer, not an academic.

Orwell, at 5:25 am EST on March 4, 2006

Calling Professor Wislow

Tired Professor Winslow,

If you want to see real obfuscation, look to your field, business. Here is quote from an Inside Higher Ed article entitled, “Risky Business".

“His argument is supported by information the company provides to what it labels “solutions providers” — in other words, vendors — that are scheduled to attend the event side by side with about 100 financial officers from universities nationwide.”

“Solution Providers"? Come on! “Pre-owned” cars, “personal accounts"! I’m sure anyone who has read a management guru’s book or read the copy of a coporate ad would agree, business is the last bastion of limpid prose. (I’m using irony by the way). Businesspeak has rightfully been parodied for its insipidness.

Those in glass houses...

Finn, at 5:25 am EST on March 4, 2006

A Challenge

Here is a challenge to those who have expressed cynicism toward Rob Weir’s essay:

Could you recommend several books in the field of cultural studies (cultural studies seems to be the biggest offender here) that I should read, that I (as an educated academic in another field) will understand, and that I will be able to recommend to my students ten years from now?

I am a professor of architecture at Pratt Institute, where “cultural studies” has taken over the liberal arts. Here is an exchange I had with the dean of liberal arts on our online forum:

In response to an article I posted on this service on the unreadability of many books in the field of Cultural Studies, dean of liberal arts writes:

“Ah, and if you go to the astrophysics section [of a bookstore], you might, unless you’re an astrophysicist, find most of those texts “unreadable,” too. Some specialized academic texts (and some for general audiences) are indeed poorly written; some deal with complex issues using specialized language—some may combine both aspects! As teachers we might do well to be willing to acknowledge our own ignorance in many changing fields, including those with familiar names like “anthropology” and “philosophy,” rather than dismissing entire realms of exploration.”

My response is that as complex as the field of astrophysics is, it is characterized by excellent writing, should we judge by the presentation a difficult subject with clarity and in a language that the intelligent layperson can understand, despite the fact that astrophysics is a difficult field that not only addresses theoretical physics, but often the human place in the cosmos and even the very nature of human being.

While there is a long tradition of great writing in this field, I will name just a few books characterized by the following: - They present the state-of-the-art of the field - They are read by and are relevant to practitioners in the field, often containing ideas that are under discussion, and contributing to those discussions - They can be understood by the intelligent layperson- They are well written in clear, accessible language

EVOLUTION OF PHYSICS, by Albert Einstein and Leopold InfeldWritten in 1938 and still read today. Not only an introduction to relativity and quantum theory, but also to a new understanding of science and reality.

CREATION OF THE UNIVERSE, by George GamowGamow’s One, Two, Three Infinity is still read today. His Creation of the Universe of 1952 is dated because he was still creating the Big Bang theory when he wrote it.

PHYSICS AND PHILOSOPHY: THE REVOLUTION IN MODERN SCIENCE, by Werner HeisenbergA major work on a philosophy growing out of modern physics.

ROCKETS, MISSILES, AND SPACE TRAVEL, by Willy LeyThe book that inspired the boys who grew up to take us into space. See Homer Hickam’s Rocket Boys.

INTELLIGENT LIFE IN THE UNIVERSE, by Carl Sagan and I. S. ShklovskiiNot to be confused with Cosmos, this underground classic was one of the most influential books of its time.

THE FABRIC OF REALITY: THE SCIENCE OF PARALLEL UNIVERSES – AND ITS IMPLICATIONS, by David DeutschPerhaps the most challenging vision of the universe (now “multiverse”) of modern times, a total revamping of our understanding of reality, by one of the inventors of quantum computing.

THE ELEGANT UNIVERSE: SUPERSTRINGS, HIDDEN DIMENSIONS, AND THE QUEST FOR THE ULTIMATE THEORY, by Brian GreeneString theory, one of the most complex notions ever, made accessible.

A BRIEF HISTORY OF TIME, by Stephen HawkingThe bible of contemporary astrophysics. How assessable is it to the layperson? Let’s just say that it remained longer on the London Times bestseller list than any other book in the history of the list.

FASTER THAN THE SPEED OF LIGHT: THE STORY OF A SCIENTIFIC SPECULATION, by Joao Magueijo, Jooao MagueijoOne of the most controversial issues in astrophysics today, being battled out on the bestseller list, again an indication that good writing can make complicated ideas accessibility to the layperson.

For me, these books set the standard.

John Lobell, Professor at Pratt Institute, at 10:20 am EST on March 4, 2006

Hey, Finn...

From this Glass house, You are right! One of the reason for being “tired” of the battle is the obfuscation of businessspeak that originates in the attempt to appear sohpisticated by flaunting one’s education. In attempts to imitate apparent philosophical knowledge it to “baffle them with ....” Straight talk usually prevails in an honest global society.

The Battle goes on...

Edward Winslow, A tired “retired” Business Professor, at 10:20 am EST on March 4, 2006

RE: A CHALLENGE

John,

I’m interested in literary studies, not cultural studies per se. Nevertheless, I’ve found the following books/essays not only readable but exciting and informative. I’m actually not sure what’s considered cutting edge or canonical in cultural studies (it’s a big discipline with a lot of different people working on a lot of different topics and using different methodologies to do so), but I’ve always sort of considered the following to be the basis for much of the work that is done in that field.

CULTURE AND SOCIETY 1780-1950, KEYWORDS, and THE CITY AND THE COUNTRY, all by Raymond Williams.

“CULTURAL STUDIES AND ITS THEORETICAL LEGACIES” — an essay by Stuart Hall that’s collected somewhere I’m sure but I forget the title of the book.

MAKING OF THE ENGLISH WORKING CLASS, by E.P. Thompson.

MYTHOLOGIES, by Roland Barthes.

SUBCULTURE, by Dick Hebdige.

DISTINCTION, by Pierre Bourdieu.

Pretty much any essay by WALTER BENJAMIN, but especially the stuff in ILLUMINATIONS, and especially “The Work of Art in the Age of Mechanical Reproduction.” Some of Benjamin is literary criticism, but he also has essays on Charlie Chaplin, cinema, newspapers — stuff like that.

Also anything by KENNETH BURKE with the same caveats as the Benjamin stuff.

I’ve purposefully left out works that I think are interesting and important but that can be obscure — Adorno, Foucault, Jameson. Given the time and effort, these authors are worthwhile reads though.

You’ll note that the difference between my list and yours is that yours is made up of books that explicate difficult ideas in physics for a general audience. The above books, on the other hand, are already cultural studies “in action” — that is to say, you shouldn’t need a guide or middle man to understand them. Or, in other words, I don’t think you as an intelligent, informed person would find them too difficult, provided you put forth a good faith effort in reading them.

John de Campos, at 3:55 pm EST on March 4, 2006

towards plainificiation

Isn’t the plainification of speech, or, in other words, discourse, simply transforming the countervailing modality of resistence into a subversion of difference itself? Come now. As plainification valorizes the subtraction of hybridity from the double bind of identity taken as a transexual but barred subject, it is evident that it re-presents the donnee, or, as we say, the Maussian gift, in an economy of repressive ocularism (sold at stores everywhere for $9.99!). The subtending domain, as it imbricates the subaltern neuter, tends towards an engagement with plainification that abuts in a false transcendence of true alterity.

Apopemptically, I think that is plain, or plainfied, as the nose, or the maskable proboscis, on your face!

roger, at 4:40 am EST on March 5, 2006

Amen, but...

I love the emphasis on plain talk. My favorite moment in grad school was realizing that a colleague got a post-doc in philosophy at a major British university, not because his work was good, but because it was utterly incomprehensible.

But I’d like to suggest (somewhat self-interestedly, since I’m associated with both) that this has already been done, though without the wonderful wittiness of this piece. In particular, Journal of Mundane Behavior and Bad Subjects have already been doing “plain talk intellectual work” for 5 and 13 years, respectively. I’d recommend them for links to SIC PUPPY any day of the week...

Scott Schaffer, at 4:40 am EST on March 5, 2006

To Private Violet and All You Yawners

What Rob and his ilk are attempting to root out, thank god, is the urge to conform to cleverness rather than step out onto the often shifting sands of original thought. The true problem with jargon is that it occupies otherwise serviceable minds with the learning of metalanguages. While “love” means something different from “agape,” it does not follow that every theorist with a grand new way of translating an existing idea into his or her own private lingo has produced an actual new idea. When I observe that mere skepticism toward the reverencing of such Olympian linguistic gymnastics should always have to suffer the accusations of anti-intellectualism or intellectual inadequacy, I am ashamed I did not take up gardening instead of joining this strange circus known as the academy.

Sarah, at 4:45 am EST on March 5, 2006

To ROB

Sir, I wish I could send you flowers. Perhaps instead I shall join Prof Jensen in calling for an official website. Please let me know if this hypothetical journal would be interested in a close reading of the phrase “Best wishes” and its profound ubiquitousness in American academic correspondence.

Sarah, at 4:45 am EST on March 5, 2006

Hi Sarah, I read your message several times and I’m still not sure I get your point. Maybe we can start again with this: why do you think Rob’s “targets” (as another reader calls them) are women, African-Americans, and Marxists? Whether or not it’s his intention, Rob links incomprehensibility with the cultural writing and interests of these groups, something I think we should address.

Many of the behaviors and language patterns (what some refer to as “discursive practices") that we see in our culture as “normal” or “natural” don’t speak to or for all members of our community. Finding ways to articulate the often subtle ways that our “normal” cultural traditions maintain unfair power relations between groups of people is very important work if we are serious about eradicating discrimination of all types in the interest of strengthening democratic society.

I am as tired of any academic I know of pretentious and fluffy prose, of deliberately murky jargon that clouds rather than clarifies. However, I am not ready to boycott all difficult prose. I think we need to leave room for the thinkers who, like you put it so well, venture out on the shifting sands of new meanings (sorry if i’m misquoting, i can’t see the page while i write this comment!) and try to find the words to tell us where they have been, and how we can get there. Such efforts as these have opened my eyes to the obstacles we face as members of our larger community, and I like to think such readings increase our chances of overcoming them.

[Now you have me hyper-conscious of my “Best wishes” closing, so I will try another one. ]

Thanks for reading, Violet

Violet, Professor at Mid-Western Private, at 3:50 pm EST on March 5, 2006

To Orwell, et al.

When I read Rob’s piece, I thought it was the funniest quasi-academic piece I’d read in a long time. After reading some of these comments, however, I have to say that those of you who just cannot or will not get it are even funnier. Give me a break. “Satire is not critique"? A) That’s hardly an established fact (but we can’t pursue it here unless we move to 3-pt Wingding font as directed) and B) if we can’t laugh at ourselves, we might as well hang it up. I’d be willing to bet that most of us who are posting comments have been guilty at least once of deliberately using the Lingua Academia in grad school.

CC Trench Warrior, English faculty, at 3:50 pm EST on March 5, 2006

Hi Violet,

Thank you for responding to my post. I appreciated and enjoyed reading your comments and apologize for the hyperconsciousness my humor apparently caused (the “Best” and “Best wishes” thing is just a pet peeve of mine; nice alternate closing). I do not agree that Rob’s article “targets” anyone. Have you seen Chris Rock’s standup “Never Scared” (I hope I got the title right)? In it, he makes fun of women who dance to rap lyrics that are demeaning to women. The lyrics are demeaning to women—that’s not in question. The joke is that these women don’t care—they’ll dance to anything, and when Rock, in the anecdote, points out that they’re dancing away to verses that should cause complete outrage in any self-respecting woman, the women respond with something like, “He’s not singing about me!” and go on dancing. Rock, anecdotally, then says, “Look, he said your name!” The hypothetical woman retorts, “I don’t care, he’s not singing about me!” and keeps dancing. I don’t think Rob’s article targets women, any more than I think Chris Rock’s standup targets women. I could deconstruct this joke for the history of female self-destructiveness it seemingly mines, until it bore no resemblance to its original nature: a joke about the fact that sometimes we humans will dance to anything with a good beat. Yes, there’s a subtext about denial and the strange lack of solidarity among women, but I think it’s infinitely more intellectually valuable to appreciate the joke in its undissected form. (Wouldn’t Derrida agree?) I do take issue, as a woman and as a female writer, with the idea that there is one version of “cultural writing” that belongs to the group “women.” I once suffered through a horrendous semester with a literary theory teacher who, given the excuse of the completely obvious excesses of one popular French Feminist writer, made fun of all Feminist criticism in truly absurd, excessive, offensive ways. What I learned from this (besides that there were some classes it would have been better just to drop) is that to assent to being categorized is to cooperate with reactionaries. I consider it a fact that some writing by women advertised as self-consciously “women’s writing” is really bad writing. The same goes for other categories, but I’ll limit my stone-throwing to my own glass walls. The reason the groups you mention are able to be singled out as rhetorical categories is because they advertise themselves as such. In contrast, you don’t see mathematicians, for example, lobbying for their writing to be recognized as a special category, but if they did, you can bet they’d be mentioned in a humor piece like Rob’s, since their writing, even when they do use actual words, is usually more incomprehensible than is really necessary. I don’t think any of the language patterns or behaviors “we” see in “our culture” as “normal or natural” speak to or for all members of our community. But wouldn’t that be a bit 1984? Every culture has its own norms—not least the subcultures and greater culture of academia. And these should not go unquestioned. One use for humor. How can people seriously speak of eradicating all types of discrimination in a democratic society by advocating a brand of cultural communication that equates itself with not only the alternative languages but the extremely abstract subject matters of fields like math and science? It’s a cliche that “literary criticism is the quantum physics of the humanities.” This is self-congratulatory and bogus. Do those who pass this phrase around minus its grain of salt or smile even remember what the word “humanities” means? There is little that is humanistic about quantum physics—probably a good thing; there is little of quantum physics about literary and cultural criticism—again, a good thing. It’s ridiculous and embarrassing to wave the flag of democracy or “equalizing power relations” as an excuse for uncommon language. There is nothing more exclusive than a secret code, a private language, and that is what much academese has already become, to the detriment of the value of higher learning in the eyes of many non-academics who are neither idiots nor cynics. I guess we will have to bracket for the moment the question of how one draws the line between “difficult prose” worth reading and “deliberately murky jargon.” It can be a fine line, much like the line between humor and seriousness. Intention is definitely not the decisive key to this—as others have pointed out, murky writers are usually not intentionally trying to be murky but rather intentionally trying to articulate an elusive idea and/or be perceived as incisive and more brilliant than the next gal. The question is how we judge the value of the ideas put forth in such writing. The problem is that sometimes the idea gets away, or it wasn’t really that good an idea to begin with—or it just wasn’t new. Scientists believe you don’t really understand a concept until you can explain it to a layperson. Maybe writers who like to think they’re the Humanities’ answer to string theory should remember that.

Sarah, at 7:55 pm EST on March 5, 2006

Wow! Thanks for the response Sarah.

Hi Sarah,

After reading your post I can’t for the life of me remember what we disagree about. I’m all about communicating with the broader public, especially when we consider the crisis situation of the humanities/liberal arts in the general culture. I spend lots of time trying to write clearly (or write anything at all, sometimes) and teaching my students to do so, but it doesn’t mean that I dismiss the work of Lacan or Cixous because I find their prose extremely difficult, almost obnoxiously so at points. And of course I don’t think you propose that we dismiss them either. We would probably agree that yes, we should all aspire to clarity in our written (and spoken!) communication, but we always balance that goal with the imperative to push our thinking beyond the safe and the known, your “shifting sands” metaphor. Out on the shifting sands, things aren’t always what they seem, and those who write about them often take recourse in in the creative potential of language to communicate the experience. Obviously you know all this, and in my original post I wanted to make sure that in our bashing of the academese/jargon writing that we left room for the possibility that some linguistic innovation should be expected when our colleagues are reporting back from the “shifting sands.”

We don’t want our students to get the wrong idea when we complain about “difficult prose” (and here I recognize the slipperiness of these terms, as you point out). Our students are already immersed in a culture of technological efficiency, where communication is quick, cheap, and disposable. (as are many relationships formed in said culture) I just don’t want them, or us, to forfeit the tremendous power of language to imagine, create, and sustain new worlds of thought. New worlds which in turn can change ours.

Would you at least say that it’s too bad Rob used the examples that he did in the first paragraph?

Thanks for reading, Violet

Violet, Professor at Mid-Western Private U, at 6:50 am EST on March 6, 2006

Frank Conlon’s post

Right on, Frank! I got your back.

Literary (or cultural) criticism has its roots in trying to explain an insight or a perspective to people who don’t understand the literary work (or cultural phenomenon). If the people who don’t understand the work can’t understand your explanation, you’ve added to the confusion, not cleared it away.

Some ideas are necessarily complex — not everything can be suitable for a Dick & Jane primer (or a whitepaper for Geo W Bush) — but to have to learn a complex and ever-shifting LSP (language for special purposes) is destructive to the educational enterprise.

Conlon’s notion of contemporary criticism as aesthetic performance sees especially insightful.

Bill Dockery, University of Tennessee, at 11:55 am EST on March 6, 2006

Hi Violet,

And thank you for reading my long-winded reply. I cannot say I think it’s too bad Rob chose the examples he did. The best I can do is to concede that it’s a good thing writers and teachers such as yourself feel strongly enough about it and are willing to take the time to argue the point reasonably and articulately. (With the greatest respect, Madam, I continue to disagree with you.)

I also will argue that it might be impossible for us to forfeit the power of language because language has us in its power, not the other way around, and that change, however valiant a word, is not invariably a good thing. Change itself is inevitable, and it is up to us to attempt to influence its rationality.

Though we should encourage innovative thought, we should not teach our students (nor allow ourselves) to believe everything that they (or we) can formulate into a sentence. A grammatically correct sentence, a Theoretically unassailable sentence, is not always real, true or of value. Only a field that deep down relies on its identity as art would sacrifice intellectual rigor for the sake of performance. Art or science—can we have it both ways?

Just an aside: on the shifting sands, are things anything but seem? until tested on firm ground?

A final, possibly ill-advised, confession: if I had the power to do so, I probably would dismiss Lacan, as I have a knee-jerk sort of antipathy to almost all things Freudian and post-Freudian (though not, of course, anti-Freudian). Makes me pretty antisocial sometimes. But that’s hegemony.

Thanks for writing,Sarah

Sarah, at 1:20 pm EST on March 6, 2006

Implications of jargon and bureaucrat-speak on academe

“Plain talk: An idea whose time has come. And will likely be ignored.”

Love this article; it got me thinking, which is always dangerous :). My only regret is that I didn’t see it earlier so I could have “jumped-in” on some of the conversation.

It seems to me, a humble grad student from “fly-over country,” that academics sometimes use jargon and gobbledygook as an academic crutch (either because they are not intellectually capable of going beyond the jargon or desire to stifle the open and free exchange of ideas). I’m sometimes not so sure how much some of these people actually know. Not at my university of course! They are all fabulous here.

Are they capable of understanding what the theory actually means? And then translating it into everyday language that the average grad student, or dare I say the average undergrad can make sense of (never mind the average American)?

In technical communication the brunt of the responsibility for communicating is on the communicator, not the recipient. Can professors (whose job description includes “professing") communicate to their audience (students) in a way that is clear, succinct, and accurate? (Allow me to provide a potential answer: some can and do; others choose not to out of laziness; and I’m not so sure the rest are capable of doing so.)

In order to “know something,” one most go beyond terminology and pointing students to the latest and greatest theories that often reflect the interests of the professor and teach the student next to nothing or little about “how” to think but instead “what” to think and say if you want a good grade.

It seems like academics know a lot of terms. Hooray for them, I’m sure other academics are very impressed with this ability to memorize lots of words and reference theories which have little real-world value to someone who is not going to be pursuing that identical subject in painstaking detail, i.e., getting your Ph.D., which is most undergrads and dare I say probably a fare amount of grad students as well. It must be one heck of a party when they (you? :) ) all get together and parrot back whatever the latest in-vogue academic theory is to one another (to all the academics enter own experience here ____ ).

Terms and their meanings—as I’m sure many of you know—are frequently malleable to which discipline the term is being associated. (See I’m capable of not ending some sentences in a preposition; I just choose not to.) Theories are just that—-theories. They provide a conceptual framework for us to view the world. They are often not scientific, let alone facts. They are helpful in providing guidance, but theories should be treated as a tool to knowledge, not the ends of knowledge.

To fully understand something, you must be capable of analytical thought, i.e., to make sense of the subject by (a) integrating it to your experiences and knowledge-base in some way and then to (b) evaluate that subject based on your experiences and knowledge, and then to © communicate/share/defend your perspective. Academia should be about the open discussion of ideas—even ideas we don’t agree with—and intellectual maturation. That seems to be like a universal principle that most of us should be able to agree with and a decent starting point.

Using jargon and avoiding plain speech simply makes the open exchange of ideas and robust debate more difficult; hopefully, I can connect the two concepts and not make this too much off topic. Jargon and bureaucrat-speak are the thinking individual’s enemy and often serve to allow others to promulgate their theories and go unchallenged. They call merely for recitation and make no use of anything other than surface level information—-the bare minimum involved in communication. There is little attention paid to making connections or gaining insight, let alone sharing those connections or insights with others. In other words, the focus is again on “what” to say, not “how” it is said or “why.”

Making sense of information does NOT simply begin and end with regurgitation. Snap your fingers and watch Spot sit! It seems in academe it’s the professors who snap their fingers and expect to hear the “right answer.” Amazing! We’ve given the students the same amount of credit we’ve given our pets. Such high expectations will surely bring out the best, right?

Thomas Aquinas might have been on to something when he tried to synthesize theology and reason. Reason can be debated. And it involves some scientific or systematic approach that calls for justifications to be made. Something is right or wrong because of “a,” “b,” or “c.” Someone can answer: I agree with “a” and “b,” but “c” seems wrong, and here is why. It seems like for some professors in modern academia, “theory” has replaced “faith” and “reason” has little to no place in the educational/cognitive process.

It seems these days like it is mostly “True” or “False” dichotomy (in principle if not in practice). Maybe some multiple-choice questions if they feel like challenging the students. After all, anything else would take research time away from the professors and that is why the entered the halls of academia, is it not?

I am much more impressed with the approach of a medieval theologian than what I sometimes see and frequently read about today in academe. I’ll leave it to others to provide specific examples, you all at “Inside Higher Ed” seem like a group of well-educated ladies and fellows.

In sum, thanks to those who “profess” and teach. On behalf of myself and others I say to them: teach me! (Not “what” to think or say but “how” to think so I can make up my own mind on the “why.") Thanks for taking advantage of your opportunity and responsibility to shape the minds of the next generation of leaders so we can make decisions for ourselves. To the rest who choose not teach out of laziness or because you’re not capable of doing so, stop wasting your and my time. You should be ashamed at your breach of the responsibility you’ve been given in educating students so they can be productive members of society and informed citizens.

To those who consider yourself an “academic’s academic": please take some of what I said with a grain of salt. It was meant to get you thinking. Perhaps your use of jargon is not a crutch or mechanism to stifle debate, merely an old habit that is hard to break.

To the rest: have a good day,

My name here.

SWS, at 4:20 am EST on March 7, 2006

The Examples Are Real!

If anyone’s still reading this (Violet?), let me say that the one thing I *din’t* make up for the piece were the examples. They’re all real. All were chosen for their silliness, not who was being referenced.

But you missed the irony of the reference on race. If the person who told us to ‘historicize’ race had actually done so rather than spend 40 mins. constructing taxonomies, she would have found in the simplest text book what she painstakingly (and incomprehensively) sought to ‘prove.’ Most historians would expect mainstream white papers to be unsympathetic during this period; abolition was still a fringe movement in most places.

My satire wasn’t directed at race studies, rather at people who don’t do their homework and then try to cover their tracks through jargon. *That,* in my view, is more patronizing in racial terms than anything my feeble brain could conjure.

Rob, at 8:05 pm EST on March 7, 2006

Comment

If you have this much time to debate online satire,get a life.

U.S.Paratrooper, at 10:10 pm EST on March 11, 2006

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